George Hoyningen-Huene photographing Rita Hayworth, 1943. Photo by Philippe Halsman

George Hoyningen-Huene

An Iconic Photographer of the Twentieth Century

George Hoyningen-Huene is acknowledged as one of the most iconic pioneers in the genre of fashion photography. His elegant pared down style has had a dramatic impact on fashion houses around the world and his work continues to have relevance today, as someone who created some of the most striking photographic portraits and compositions of the twentieth century.

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New book

George hoyningen-huene
photografpy, Fashion, Film

The first publication in almost forty years on the work of George Hoyningen-Huene; the photographer whose images defined an era. A captivating photographic odyssey spanning fashion, Hollywood, and travel.

The book was recently featured by the Wall Street Journal as one of three Holiday Gift Books 2024 in the fashion category.

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Recent exhibition

George Hoyningen-Huene - Glamour e Avanguardia

Milano, Palazzo Reale, 21 January - 18 May 2025

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Divers, Horst and Lee Miller, Paris, 1930

anna wintour’s favorite

When asked to choose her favorite Vogue photographs, Anna Wintour included Huene’s The Divers (July 1930).  She also selected images by Edward Steichen, Horst P Horst, Irving Penn and Cecil Beaton. At the centre of this circle of international photographers, was Huene. This gifted group would help to create the look and style of the 1930’s era, and beyond.  Also included, were photographers Richard Avedon, Henri Cartier-Bresson, and Lee Miller, all of whom were active supporters of the human rights movement. Huene was one of the first fashion photographers to use male models in photo shoots.

Form – light – shadow

George Hoyningen-Huene will be remembered for his unmatched talent for balancing color, form, light, shadow, and the pared-back look of his images. Many of his timeless photographic masterpieces are in the collections of the world’s leading museums, including the Museum of Modern Art (MOMA), NYC.

Ernor Carise with a Hula Hoop, 1930

“Isn’t that going to be awfully dull and drab?” George Hoyningen-Huene’s use of neutrals

Dr Lucy Fife Donaldson

This audiovisual essay is published in [in]Transition: Journal of Videographic and Moving Image Studies (10.2, 2023) mediacommons.org/intransition
Research for this project was funded by the British Academy.

Photo of the week

This is where we share our favourite George Hoyningen-Huene photographs and latest discoveries from the archive.

Only ten days to go until the opening of the new exhibition at the splendid @palazzorealemilano GEORGE HOYNINGEN-HUENE
Glamour e Avanguardia January 21st - May 18th 2025 Palazzo Reale, Milan We’re delighted to also be collaborating with 29 ARTS IN PROGRESS Gallery, Milan. The Gallery will be representing the work of George Hoyningen-Huene in Italy and Switzerland.

It’s time to dress in your finest and ring in the New Year! 🔔🎉🥂

2024 has been a wonderful year at the George Hoyningen-Huene Estate and we’d like to take this opportunity to thank everyone we’ve worked with over the past year - the brilliant galleries, museums, publishers, designers and partners across the globe.Thank you and happy 2025!

Image: Nimet Eloui Bey, evening dress by Mainbocher, 1935

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Tracing the threads of influence: George Hoyningen-Huene and Les Girls (1957)

Dr Lucy Fife Donaldson

An account of George Hoyningen-Huene's contribution and collaborations with George Cukor, Gene Allen and Orry-Kelly. This essay is published in Movie: A Journal of Film Criticism, issue 10. Click here to read the accompanying essay statement.

Selected works